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BlogEpisode ArchiveAbout UsContactPressShopBlogEpisode ArchiveAbout UsContactPressShopYou can help keep MYMHM on the web!Your donation helps offset the costs of our web site, storage, video editing and A/V equipment, buying and renting movies, and Lee's Fabergé egg habit!TopBlogEpisode ArchiveAbout UsContactPressShopSearch MYMHMNavigationLoginSupport Our Sponsors!MYMHM T-Shirt! NEW! SaturdayJun152013 SPOILER ALERT: The Victimization of Superman - ‘Man of Steel’ Review Saturday, June 15, 2013 at 2:16PM Please do not read this review of ‘Man of Steel’ if you have not seen the film. This will be a spoiler heavy discussion of the movie, and I really don’t want to ruin anything for people looking forward to Superman’s latest outing. You have been warned. I have issues with this movie. This team of creatives, Goyer, Nolan, Snyder, get so much right, yet they manage to stumble on a few key character and story points. You leave the endeavor feeling deflated. It’s so close to being perfect that it soured me even more when that perfection wasn’t realized. I love this cast. Each of the actors picked was an inspired casting decision. Amy Adams is a capable Lois. She’s brave and smart. Laurence Fishburne is appropriate for Perry. I love seeing actors like Harry Lennix, Richard Schiff, Christopher Meloni, and Tahmoh Penikett show up. Kevin Costner and Diane Lane make for great foster parents, and Russell Crowe is dynamic as Jor-El. Even our team of baddy Kryptonians led by Michael Shannon’s Zod were all interesting. The problem with an origins story, which Man of Steel is, these characters are given very little to do. Click to read more ... MYMHM | 2 Comments | 8 References | Email Article | Share Article | Tweet | WednesdayApr032013 Review: 'How Do You Write a Joe Schermann Song' Wednesday, April 3, 2013 at 10:08PM I have a tricky relationship with musicals. I find it somewhat difficult to maintain my suspension of disbelief under the best of circumstances. The somewhat schizophrenic aesthetic of most movie musicals usually shatters my ability to embrace the fantasy. I was intrigued by the concept of a crowd-funded indie musical. Indie film is often marked by some form of restriction on production and that restriction is often budget. The notion of producing a low budget indie musical crested "ambitious" and veered on the precipice of "audacious". Original music. Choreographed dance numbers. Theatrical lighting and sound. Spectacle doesn’t come cheap, and a hell of a lot of sweat equity is required to make up any deficit in your budget. How Do You Write a Joe Schermann Song tells the story of Joe (Joe Schermann), a struggling musician in New York waiting for his big break. He’s waiting for the perfect show to arrive which will celebrate his unique musical genius. His live-in girlfriend Evey (Christina Rose) is an aspiring actress toiling through the competitive and brutal theatrica
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