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注册商:Tucows Inc. (R11-LROR)
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amn.org
域名年龄: 28年11个月4天注册时间: 1996-07-09
注 册 商: Tucows Inc. (R11-LROR)
注册邮箱: mail
联系电话: +1.317925111
获取时间: 2014年02月05日 20:07:50
Domain Name:AMN.ORG
Domain ID: D59728-LROR
Creation Date: 1996-07-09T04:00:00Z
Updated Date: 2013-07-06T08:41:59Z
Registry Expiry Date: 2014-07-08T04:00:00Z
Sponsoring Registrar:Tucows Inc. (R11-LROR)
Sponsoring Registrar IANA ID: 69
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Domain Status: ok
Registrant ID:tuIvCUpGrhD5wdxA
Registrant Name:Maxwell L. Anderson
Registrant Organization:Art Museum Network
Registrant Street: 3744 Spring Hollow Road
Registrant City:Indianapolis
Registrant State/Province:IN
Registrant Postal Code:46208
Registrant Country:US
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Registrant Email:mail
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Admin Name:Maxwell L. Anderson
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Admin City:Indianapolis
Admin State/Province:IN
Admin Postal Code:46208
Admin Country:US
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Tech ID:tuiLT408hXs5C7gX
Tech Name:Maxwell Anderson
Tech Organization:Art Museum Network
Tech Street: 4000 Michigan Road
Tech City:Indianapolis
Tech State/Province:IN
Tech Postal Code:46208
Tech Country:US
Tech Phone:+1.3179202662
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Art Museum Network About Articles Presentations Videos Related Resources Contact Art museum attendance statistics are never far from the headlines. A more forensic look below ranks museums by the number of visitors relative to their Metropolitan Statistical Area (MSA). This allows for a comparison based not on total attendance alone, but on performance relative to the available audience. The results are skewed somewhat, since museums in the largest metropolitan areas have mass tourism, which benefits their ranking. Taking that factor into consideration, the best attended art museum in 2009 relative to its potential audience was the Toledo Museum of Art: Museums and Society Published: January 31, 2011 To the Editor: For decades, American cultural leaders have looked to Europe with admiration for government support of the arts. But as reported in “ ‘This Space for Rent’: In Europe, Arts Now Must Woo Commerce” (Arts pages, Jan. 24), European authorities have skipped past reforming their tax codes to encourage private patronage as the United States does, and have gone straight to emulating commercial enterprises. The Dutch government has even announced its intention to index public support to museum attendance. It’s essential to measure the contribution a museum makes to society — and easiest to count heads. Art museums in the United States have accordingly turned to populist fare to build attendance. But the vast majority of museum expense goes not to shows but toward caring for collections and engaging visitors — which is why museums can’t charge their way to solvency. The contribution they make rests on being stewards of our shared creative past and on offering one of the last noncommercial harbors of experiences and ideas. The “blockbuster” was the name invented for a bomb intended to devastate targets. Let’s not let blockbusters reduce our treasure houses to multiplexes with adjoining but neglected permanent collections. Maxwell L. Anderson Indianapolis, Jan. 27, 2011 Commercialization Essays on the burgeoning commercialization of the art world. Cultural Heritage Publications on the contest for ownership of cultural heritage. Transparency Essays on the awakening of institutional transparency through social media. Maxwell L. Anderson, Editor Art Museum Network LLC © 2011
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