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    • Edward Maday handmakes to special order concert level, artist class instruments of the violin and vi 
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    • 域名年龄:25年4个月9天  注册日期:2000年02月16日  到期时间:2020年02月16日
      邮箱:abuse  电话:+1.8003337680
      注册商:NETWORK SOLUTIONS, LLC. 
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    edmaday.com

    域名年龄: 25年4个月9天
    注册时间: 2000-02-16
    到期时间: 2020-02-16
    注 册 商: NETWORK SOLUTIONS, LLC.
    注册邮箱: abuse
    联系电话: +1.8003337680

    获取时间: 2014年12月30日 14:21:38
    Domain Name: EDMADAY.COM
    Registrar: NETWORK SOLUTIONS, LLC.
    Whois Server: whois.networksolutions.com
    Referral URL: http://networksolutions.com
    Name Server: NS3.HMDNSGROUP.COM
    Name Server: NS4.HMDNSGROUP.COM
    Status: clientTransferProhibited
    Updated Date: 2011-02-25
    Creation Date: 2000-02-16
    Expiration Date: 2020-02-16

    >>> Last update of whois database: Tue, 2014-Dec-30 06:23:01 GMT <<<

    Domain Name: EDMADAY.COM
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    Registrar WHOIS Server: whois.networksolutions.com
    Registrar URL: http://networksolutions.com
    Updated Date: 2011-02-25T20:10:28Z
    Creation Date: 2000-02-16T23:43:27Z
    Registrar Registration Expiration Date: 2020-02-16T05:00:00Z
    Registrar: NETWORK SOLUTIONS, LLC.
    Registrar IANA ID: 2
    Registrar Abuse Contact Email: abuse
    Registrar Abuse Contact Phone: +1.8003337680
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    Registrant Name: PERFECT PRIVACY, LLC
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    Registrant Street: 12808 Gran Bay Parkway West
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    Registrant Postal Code: 32258
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    抓取时间:2011年01月07日 23:31:42
    网址:http://www.edmaday.com/
    标题:Edward Maday Violin and Viol Maker
    关键字:
    描述:Edward Maday handmakes to special order concert level, artist class instruments of the violin and viol families. Finest woods,varnishing,models,and tone.Satisfaction guaranteed.
    主体:
    Home Page
    Violin ·
    Viola ·
    Cello ·
    Viols (all sizes) ·
    Violone ·
    Double Bass ·
    Viola d'Amore
    Ingredients
    Instruments
    About Us
    Photo Gallery
    I've been playing the violin since the age of seven.  I was a scholarship
    student studying with Olga Bloom at Hofstra University, and later with
    Dr. Anne Yarrow at Molloy College where I received a B.A. in Violin
    Performance.
    My father, Joseph Maday, is a Master Woodworker and Mechanic.  Early on he gave me the
    skills I would need to make my first violin at the age of fifteen.
    At that time I received generous amounts of advice and guidance from the gifted violin makers
    Vincent Obrien of New Hyde Park, and William Huggler of Amityville.
    For over 20 years I was under the tutelage of the legendary Boatbuilder, Bayman, and Philosopher,
    Philip A. Simon of Woodmere Bay. His constant reinvention of simple, seemingly improvised,
    traditional work methods have been applied to just about all aspects of my instrument making career.
    I am very thankful for my longtime friendship with Clifford Roberts, the master violin maker of
    Philadelphia. Over the years he has given me immeasurable amounts of help and encouragement.
    I am also indebted to the great William Monical of  Staten Island. He freely
    shared with me his precious time, and boundless knowledge of viol family instruments.
    His indefatigable enthusiasm is infectious.I am moved by it to this very day.
    I worked with the Kolstein family of Baldwin and then for many years with
    master violin maker Joseph F. Tripodi of Lynbrook, NY. From Joseph I learned the power
    of awareness, the confidence to question, and the importance of relentless self-education.
    I opened my shop in 1982.  I have worked unceasingly since that time on the
    handmaking of artist class instruments.
    I make instruments to custom order, and I also make instruments that are for
    immediate purchase. Please call for availability of desired model and current completion schedules.
    All my patterns are developed from the old masters.  I use as my study
    instruments, pieces which are in museum collections and many which are
    privately owned. Exceptional tonal qualities and noticeable visual beauty
    are of utmost importance in chosing these examples.
    Over many years of making, these models have become personalized in most
    all respects. Advice from soloists, quartet players, chamber players, orchestral
    players, conoisseurs, collectors, respected makers, artists and historians,
    combined with my own experience, research and intuition, have resulted
    in a continual refinement of the whole process.
    When a musician orders an instrument from me, we discuss extensively
    his or her preference for sound, tonality, and related playing qualities,
    the actual feel of the instrument (both physically and psychologically),
    overall appearance, wood selection, varnishing, types of fittings,
    and any ornamental embellishments.
    Some players may instead prefer to purchase an existing instrument.
    They rec

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